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Rest

Commission — 001

Reportage

Rest

Client

Anvil Press

Category

Reportage

Year

2025

Print

16×20 Fujiflex · C-type · edition of twelve

Rest — a driver who did not move for the whole roll

The photograph — 002

The frame that ran

The driver in the cab, forty minutes into a break

16×20 Fujiflex · C-type · edition of twelve

The brief — 003

Anvil Press

A book about long-distance haulage, and a driver who did not move for the whole roll. The commission was for twelve portraits across four depots; this is the first one and it set the terms for the rest.

Frames — as shot

Frames as shot

The same cab, his hands back on the wheel

Frame 27 · hands back on the wheel

The approach — 004

How it was made

Depot light, which is sodium and fluorescent fighting each other, and a subject on a forty-minute break who had no interest in giving up any of it. So the camera went where he already was and stayed there.

Thirty-six frames, one position, one conversation. He talked for the whole roll and looked at the lens twice.

The outcome — 005

2025

Frame nineteen ran as the book's frontispiece. The other eleven drivers were photographed the same way and the book holds together because of it.

One method, applied twelve times, is a body of work. Twelve methods is a folder.

The print — 006

Editions close at twelve

Specification

16×20 Fujiflex · C-type · edition of twelve

Process

Chromogenic C-type, RA-4, printed wet

Turnaround

Ten to twelve weeks from the last exposure

Signed

On the verso, numbered, with the negative reference

Next — 007

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