Work — 001
Sheffield · 2019—2026
Four commissions a year, and every one of them argued about.
A commission here is not a shoot, it is an argument that ends in paper. It starts with a phone call and a rough idea, and what survives to the print is never what was described — it is what the room turned out to be doing while everyone was busy describing it.
Taken
Between four hundred and nine hundred frames
Kept
Two to five, chosen a week later, never on the day
Printed
By hand, 16×20 Fujiflex, C-type, edition of twelve
The commissions — 002
Six of the last eleven
Shown in the order they were made. Every one of these has frames nobody will ever see, and that is the part the client paid for.
Nightshift — a magazine wanted the street, and got the person standing in it
Second Look — three days in a gallery, before anyone was let in
The Long Room — one building, two hours, no lights brought in
Held Breath — forty minutes for a frame that took a quarter of a second
Rest — a driver who did not move for the whole roll
Bare — the last commission of the year, printed in January
What you get — 003
Every commission, no options
The negative stays here. The print goes to you.
The print, dry mounted, on its way out of the room
In the price
The shoot, the edit, one 16×20 print, numbered and signed
Extra prints
£320 each while the edition is open
Licensing
Editorial use quoted separately. Never sold as stock
Next — 004
Four a year · two left for 2026
Tell me what the negative is.
Write to the studio
Say what it is, what size you want it, and when you need it in your hands. I answer every message myself, usually within two days.
